Traceable Art Quarantine Update

Over the last forty days or so, I’ve added another two hundred and thirty illustrations to the Traceable Heraldic Art web site.

Thanks to Iago ab Adam and Vémundr Syvursson, both of An Tir, who contributed a number of items to the collection in recent weeks. Master Iago’s adaptations from the Wappenbuch Conrads von Grünenberg are particularly striking, capturing the idiosyncratic character of the original roll while adhering to the clean line-art requirements of our submissions format.

(If you have line-art images you’re willing to share with the community in this way, get in touch! I’d love to have both brand-new charges and new versions of existing charges in different artistic styles.) Continue reading “Traceable Art Quarantine Update”

Using DrawShield for Emblazons

DrawShield is a web service that allows rapid generation of armorial images by either entering a blazon or choosing elements in a point-and-click interface.

It’s an automated system, so the results often aren’t as polished as you can produce by assembling elements yourself, or as unique as the custom work of a talented heraldic artist, but it’s fast and easy, and doesn’t require any tools other than a web browser, so it’s a great option for casual users to try out different possibilities and quickly mock up options for discussion.

Hundreds of charges from the Book of Traceable Heraldic Art have been converted to DrawShield elements, so users of the Traceable collection may recognize some images they encounter there, and DrawShield users can find additional variations of charges here if they wish to further embellish a design they started in that system.

Using GIMP for Emblazons

Jehanette de Provins, Her Majesty the Queen of Northshield, teaches classes on how to create armorial images using GIMP and images from the Book of Traceable Heraldic Art, and recently recorded a session for viewers at home.

GIMP is an open-source software package for pixel-based illustration, in the same vein as Paint and Photoshop. As a Mac user, I find the interface to be a bit clunky, but it’s free, it includes a lot of features, and it runs on a wide variety of operating systems, which makes it a useful tool.

Make sure to turn your volume up to follow the presentation!

#HeraldicLove 2020

Did you know that people in the medieval and renaissance periods sometimes displayed their arms on a heart shape?

For the month of February, the SCA’s #HeraldicLove campaign encouraged people to display their device or populace badge on a heart-shaped field.

In support of this effort, I joined a number of other heraldic artists in creating these images for people both locally and across the Society. Continue reading “#HeraldicLove 2020”

Traceable Art Winter Update

Over the last three months, I’ve added more than two hundred new items to the Traceable Heraldic Art collection, bringing the current total to just over three thousand distinct charges, divisions, treatments, and lines.

Some of the new illustrations were taken from period manuscripts such as the Wappenbuch der Arlberg-Bruderschaft, while others were drawn from modern sources such as the Viking Answer Lady SVG files and the creations of the Pennsic Heralds’ Point art tent team from last summer. Continue reading “Traceable Art Winter Update”

New Fall Illustrations

This fall, I have started to separate the largest volume of the collection, with over six hundred illustrations of man-made objects, by moving all of the illustrations related to food and farming into a section of their own, and the same for all of the military-related charges. I intend to continue this process, perhaps splitting out all of the clothing and fabric-related items into a volume of their own.

I hope that this makes it easier for folks who want to page through items related to a particular theme, while still allowing easy lookups of individual charges.

There are a hundred new illustrations that have been added to the collection since this August’s Pennsic. My thanks to the artists who have contributed new charges, including Pennsic Art Tent illustrators Bahja al-Azraq, Kryss Kostarev, and Li Xia, among others. Continue reading “New Fall Illustrations”

Traceable Art at Pennsic XLVIII

This was the third year of service for the Book of Traceable Heraldic Art at Pennsic, and once again the collection got a workout in the art tent behind Heralds’ Point.

My thanks to Muirenn ingen Dunadaig for printing all of the pages that have been added over the last year (over five hundred) and getting them added to the binders, and to everyone who provided feedback to help improve the collection.

I’m especially looking forward to importing some of the new illustrations produced in the art tent — hopefully that will happen over the coming winter. Continue reading “Traceable Art at Pennsic XLVIII”

April’s Traceable Art

There’ve been 120 new illustrations added to the Book of Traceable Heraldic Art since February, bringing us to a total of 2,600 items.

This batch includes a depiction of a belladona flower and a number of other images by Nicholas de Estleche, as well as two caps — a bycocket and a cap of maintenance — and some everyday items found in medieval households, including a grater, a funnel, and a hand mirror. Continue reading “April’s Traceable Art”

Another Round of Traceable Art

Over the last month I’ve added another 135 illustrations to the Book of Traceable Heraldic Art.

As with last month, these are drawn from a variety of sources, including some more beasts from Torric inn Björn, some tools and objects from Gustav Völker, and a couple of funky lions from Thomas Wriothesley. Continue reading “Another Round of Traceable Art”

Recent Art Additions

Over the winter holidays I took some time to add another 156 illustrations to the Book of Traceable Heraldic Art.

Many of these are drawn from the Viking Answer Lady’s SVG Images For Heralds, while others come from historical documents including Insignia Florentinorum (Italy, 16th C) and Opus Insignium Armorumque (Slovenia, 17th C), and some have been newly illustrated for this collection. Continue reading “Recent Art Additions”